Tinca Veerman

While working I'm consistently searching for a balance between reality and alienation. I question myself about the personal book of information we've got in our heads. Are we capable of receiving new constructions, or are we always hooking it up to the 'thing' we know from real life and try to connect with that? We redefine by watching what's real or not and that takes time. I'm forcing the viewer to slow down and unpack the construction, to test it's veracity.

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